Here
in Bantoli, Madmaheshwar Ganga flows southwards with a bass sound
tumbling over rocks towards the river Mandakini. On the right bank,
river Markandeya joins it forming a wedge-shaped slope between the two
rivers. On the left bank of Madmaheshwar, thick jungles proceed as far
as the eye travels right towards the sky. On the other side, steep
grassy slopes merge into the coniferous forest at the top. The lodge
overlooking the confluence of the two rivers is unbelievably soothing
on the nerves. A small flat patch of crop surrounds it and then a
gravel path proceeds towards Madmaheshwar, an important though not
very popular site of Hindu pilgrimage in the Garhwal
Himalayas, where, according to legend, Lord Shiva's
navel fell. A quick bath in the sunny patch and the prospect of a
khichri sounds delicious after the morning trek from Rasi. I decide to
stay put here for the day. By evening I had arrived at Rasi after a
two-hour jeep ride from Ukhimath coupled with an hour-long walk. It
takes about nine hours to reach Ukhimath from Rishikesh by bus.
Apparently there is a marriage at Madmaheshwar. The
groom is a local priest whose family comes from a Karnataka Virashaiva
sect. By some ancient arrangement put down to the travels of
Shankaracharya, the Madmaheshwar temple is presided over by Karnataka
priests unlike Badrinath which sees the Nambudiris from Kerala at the
helm.
A couple of locals pass by. One of them, a
schoolteacher, uses his stock of English consisting of flower power
words like nature, beautiful and peace, before proceeding with his
drunken companions towards Madmaheshwar. This drunken party is surely
not going to like the 9 km. steep climb ahead. My host Sher Singh is
busy with preparing strings of sheep wool. First, he takes out the
damp wool from a wicker basket and then rubs it with two spiked
boards. At the end of a minute-Long rubbing session, the wool becomes
shiny and fluffy. Then he makes thick strands out of it by wounding it
around the hand. Later this thick coil is dexterously fed into a
hand-held rotating spindle and a uniform thin string of wool
materialises. Upon my inquiring what he makes out of this wool, he
jumps up and with a dervish like movement puts on a thick cut sleeve
jubbah with an open front. Where does he get his wool? His
flock of sheep goes up the slopes of the mountains to the north and
east where the jungle called Badru ends and the bugyals or
meadows begin. These are places from where one gets a rampart view of
the Himalayas. Places like Kachni Khal, Pandusera, Nandikund - local
pilgrimages associated with myriad myths about the Pandavas during
their exile are not too far.
In fact, a week-long trek is possible with local
guides around these truly awesome mountains. In the words of Ishwar
Singh Bhatt in Rasi village - Come in the middle of September and I'll
show you the real Himalayas. It will be a trip you'll never forget. He
suggests going to Kedarnath from Rasi by crossing the water-dividing
ridge between Madmaheshwar and Mandakini. The sky will be blue, the
grass green and the only distraction will be the thousands of alpine
flowers.
For his living, Bhatt runs a chait shop and
lodge. The neat, spacious shop may look spare, but the food is on
time. Behind the shop, a minute away, is the old temple dedicated to
Rakeshwari Devi. A very tall swing, surely made in godly proportions,
stands in front. A group of five sadhus are stopping by on their way
back from Madmaheshwar. This motley group consists of people from
various parts of the country who met on the way, liked each other's
company and decided to complete one leg of their journey together.
These are illiterate or barely literate men from Punjab, Rajasthan,
Orissa and UP who chose to be with some akhara. Every year or
so they try to go to some holy places to add up to their good karma.
One of the mahatmas or great souls, as they are referred to by the
local populace, shows his government approved permit for the
forthcoming Amarnath Yatra in Kashmir to others. The Mahatmas are
having regular glasses of black tea in the covered corridor of a
building next to the temple. Whosoever drops by is offered a cuppa.
Meanwhile preparations for the evening meal are on
and one of them is kneading the atta for the rotis. Some
village boys and men along with an elderly villager are hanging about.
In matters of intricate mythological issues and religious
knick-knacks, the old man seems to be more knowledgeable and he knows
it. From time to tome he asks questions like what is the
twelve-syllable mantra or recites a Sanskrit ditty about the twelve
jyotirlingas. At the same time he defers the invitation of the
mahatmas to sit on the mat on the grounds that being a householder he
is not worthy enough to sit on it. It is clear that the old man's
world is more rooted in faith than some of the young sadhus who
peppered their similes with technological metaphors from the modern
world. His world was made of folktales, puranas and mantras. Folktales
like how one daughter-in-law, when asked about the father-in-law's
whereabouts, replied that he was in some unmentionable place; how the
son was then asked to leave his wife; how the wife explained the
misunderstanding by saying that it was actually the father-in-law's
previous birth that she was referring to, etc. etc. and all this to
prove some ethical or moral point. These peripatetic sadhus are surely
closer to us mentally than the old man, an almost extinct phenomenon
in this city-centric world. Later in the evening, the art inside the
temple was a trance music of sorts with bells of all shapes and sizes
making tingling sounds of various frequencies. Visually, the darkened
ancient doors and the assortment of brass and stone idols softly
reflecting the panchpradeep lights, created a mysterious
setting. Meanwhile, the wind has picked up in the valley. The sadhus
are still smoking their chillums. I make my way down to the lodge.
The evening shadow lengthens in Bantoli. It begins
to rain and my plans of drifting in the moonlit valley vanish. The
local forest guard stops by on his way up. He laments about the
villagers' ignorance about forest protection and the practice of
clearing off these steep slopes for cultivation which results in soil
erosion and he predicts the disappearance of a nearby village in a few
years time. A noisy party enters the lodge and I retire for the day
after my evening meal of dal, chaul and subzi. Gradually
I fall asleep to the sound of the river interspersed with snatches of
Markendaya Puran that Sher Singh is listening to on his battered tape
recorder.
Next morning the arduous steep climb to
Madmaheshwar winds through swathes of rhododendron forest. After four
hours or so of unrelenting vertical movement, the Madmaheshwar temple,
set in the surrounding bowl shaped meadow, comes into view and the
heart leaps up with joy. Behind the temple gentle grassy slopes rise
up to the ridge of Burha Madmaheshwar. On the other side, separated by
a deep valley, the mountainside rises to snowy heights from where the
various icy streams come down to form the headwaters of Madmaheshwar
Ganga. A short climb up the slope of Burha Madmaheshwar opens up a
fantastic vista of the main Himalayan range with Mandani Parbat
piercing the pre-monsoon clouds. Ishwar Bhatt's suggestion must be
taken up soon.