FROM
portraying a seductive and innocent slum girl to playing a
psychopathic killer or a possessed woman, Urmila Matondkar has done
it all. She had a huge string of flops... until 'Rangeela' happened.
Her looks, hair, clothes, attitude... everything went in for a
complete transformation, thanks in a large part to dress designer
Manish Malhotra and make-up whiz Mickey Contractor. To her credit,
the Maharashtrian beauty worked harder, constantly innovating
herself. After her stunning performance as the lady possessed in
Bhoot, Urmilla is back with Pinjar, setting the clock back by more
than half a century with her portrayal of a victim of Partition of
India based on the famous Amrita Pritam novel. Here are some
excerpts of an interview.
How did you prepare for this complex portrayal in
Pinjar?
I have gone into every detail of the period- from
the clothes, to body language to the ambience of the era. Moreover,
I read a lot on the plight of women abducted during Partition. I
also read a collection of stories based on Partition. This was a
very conscious effort, simply because I have been associated with
modern roles.
Did you read the original novel Pinjar?
No. I didn't want to mix up the script and the
novel.Recently, you even visited Wagah at the Indo-Pak border?Right.
Women there have gone through many of the experiences that my
character goes through in Pinjar. Indian history hasn't really
recorded the pain and suffering of the women who were used as pawns
in the vendetta game during Partition. Abduction and rape were only
the beginning of these women's' trauma. Many such women were
impregnated and had nowhere to go.
How would you describe your character in Pinjar?
My character in Pinjar' goes through the
harrowing experience of being abducted during Partition. When she
escapes and manages to return to her family, they shun her. Think of
it, the issue of social stigmas and ostracisation of women 60 years
ago is just as relevant today. Women still have to constantly prove
their innocence and assert their right to dignity in our patriarchal
society.
Pinjar seems to have moved you?
I can't tell you how moved I am. I don't think
any film has or will make as much difference to me as a human being,
actress and a woman as Pinjar has done. We actors in Bollywood exist
in a cocoon that is far removed from real world. Pinjar awakened me
to the reality that most women face. We just have to step out of
Mumbai or step out of our cars to see how women at the grassroots
live (pauses). We don't know about the wounds of Partition. We don't
know that those haven't healed still. We have just read history
books. I was a very good student and scored very high in History,
but the books don't tell you each and every detail. Unless and until
you see those wounds in person, you will not feel sensitised. You
know what I mean? I am sorry if I am sounding fairy-tailish, but a
beginning has to be made to eradicate all conflicts arising due to
religion.
Do you think Pinjar can do the trick what
Krantiveer, Gadar and Sarfarosh could not? I mean, can Pinjar wipe
off communalism?
Difficult to say. As a human being, I got the
opportunity to realise something and make a statement. Hope that
people realise when they see it.
Do you think that Hindi films should be made
legitimate in Pakistan?
That I don't know, but I would love to see
Pinjar being screened in Pakistan. It is minus any bias, colour,
etc.
Did your sex-symbol tag stick on you for too
long?
Today, I am having the best of both worlds -
commercial and art. Filmmakers are coming to me with the meatiest of
roles. I am having my cake and eating it too! Actually, the
sex-symbol image is a figment of the media; they just want some
sensational heading and matter to fill up their pages. It should
have stopped long back when I was offered Judaai, soon after
Rangeela.