Sonali
Bendre, five months married, sporting huge solitaires on her ears,
neck and left hand, clad in a pair of designer jeans and chiffon
blouse, looks stunning.
Marriage certainly suits
her. Even if she sighs, "I’ve barely been home for a week every
month since I got married. I’ve been out of the house for three
weeks every month, shuttling between Hampi, Hyderabad and Mumbai."
The inter-city shuttle is
partly because of her latest film, Amol Palekar’s Anahat
(Eternity), which was shot on location in Hampi. The Hyderabad bit
is thanks to a Telugu film which is nearly 40 per cent complete.
Besides, says the actress,
she’s looking at half-a-dozen scripts. "Some are interesting, some
are not-so-interesting," she adds. "I plan to pick up just a couple
of them. Now the idea is to do one film, or two at most, at a time.
I want to take time off to travel, to do some thinking. No more
back-to-back shooting for me. There’s no fire now."
"Amol Palekar came to me
with the idea a year-and-a-half ago. And I’d loved it," she recalls.
"It took him a while to complete the script. When he came back for
the full narration, I was completely bowled over. It was Amol’s idea
to make it only in Marathi. And since that’s my mother tongue, I was
equally charged about it. I’m ecstatic that Amol chose to look
beyond my glamorous image and cast me as a simple girl."
The film is made primarily
for an international audience and is scheduled to be screened at a
couple of leading international festivals later this year.
Luckily for her, says
Sonali, she’s been able to stay away from home for such long spells
because she lives with her in-laws. "My mother-in-law is so
wonderful," she gushes. "I’m more like a daughter in the house. I
haven’t had to worry about how Goldie is coping because my ma-in-law
is in charge."
Post-shaadi,
actresses like Madhuri Dixit, Juhi Chawla and Kajol didn’t get
buried under the debris of domesticity, Sonali points out.
"Honestly, if we call ourselves 21st century women, our actions must
support our claims. Way back in the ’70s, Sharmila Tagore did some
of her most remarkable work after marriage and motherhood."
In fact, she says, perhaps
she may not have married in a hurry if she hadn’t met someone as
wonderful as Goldie.
She has no plans to extend
herself beyond acting, though. "People assume that just because
Goldie has a production house, I’ll get into that mould. Frankly,
the nitty-gritties of production don’t interest me. I’d like to just
concentrate on my acting," she says.
Try to get her talking any
more about Goldie Behl and you come up against a blank. "I’m
certainly not ashamed of my private life... but I’m not keen to let
the world into it either. So please let’s stay out of it," she says
in a tone that means business.
Then relents a little for
an explanation: "When I started seeing Goldie, I let the world know
about it simply because it would be unfair to keep him in the
background. But now that we’re married, I see no reason to flaunt
him on every occasion. Besides, I think people are still keen on
seeing my work; they’re not interested in pictures from my private
album. Or knowing whether I’m making chappatis at home."