I
was thrilled to hear the announcement of the evergreen hero of the
Indian cinema, the one and only Dev Anand becoming the 34th awardee
of the prestigious Dada Saheb Phalke Award for 2002. President A.P.J.
Abdul Kalam will present the Rs.2 lakh cash award to him on December
29. There are many others like me and Dev’s angry younger brother
Vijay Anand, who feel that he should have been honoured with this
distinction several years ago.
Some of us wondered why it took so long to honour
the ever green hero of the Indian cinema, who never looked back
after his star debut in the film Ziddi, which I had seen in
Lucknow several years ago and reviewed as film critic in some of the
Hindi and Urdu magazines. I remember my own sentence that his
performance showed that an actor-star was born. The Urdu phrase I
had used was ek actor chamakate sitare ki tarah namudar hua hai.
But at that time even I was not sure of the longevity of the actor
in the silver screen. But Dev Anand was destined to shine on the
Indian screen longer than most other memorable actor-stars. His
distinction has been so that besides being a star he is an "actor of
actors".
One of my favourite movies starring Dev Anand was
that of the Guide and the haunting song-Tere Mere Sapne. I
wonder if any other film actor, who has portrayed characters of such
power and variety as in Baazi, CID, Jewel Thief and
Johnny Mera Naam on the Indian or even the world screen can
compare with Dev. He seems to be a symbol of youth forever on the
Indian screen.
Dev Anand represented the golden age of the Hindi
cinema, which gave the country great actors and stars like Dilip
Kumar, Raj Kapoor, Sunil Dutt, Ashok Kumar and Balraj Sahni. But
even among them, Dev, 80 not out, is still considered the "evergreen
hero" despite the fact that he had undergone a painful plastic
surgery at one stage to ensure that his "old face remained young
forever".
The Golden Lotus, or the Swarn Kamal, the symbol
of the Phalke Award will come late to Dev although his two
companions who, along with him, ushered in the acting idiom of the
Hindi cinema in its great days, Raj Kapoor and Dilip Kumar, had been
honoured with the award earlier.
If one were to look at his own reaction and
response to the award, one would realise that he was not even angry.
Like the good son of an Arya Samajist father, he takes life
rationally and philosophically. He welcomed the award.
But the most important thing for a performing
artiste is that he should be recognised, remembered and loved by his
audiences and Dev would remain the most remembered, loved and
respected legends of the Indian screen, on the strength of his
lifetime contribution to cinema. Can any cinema buff ever forget
films like Taxi Driver, Paying Guest, Kala Pani, Hum Dono, Tere
Ghar Ke Samne, Hare Krishna Hare Rama and Des Pardes? No,
never, I would say. I am thrilled and greet the 34th winner of the
Dada Saheb Phlake Award with the wish, "May you be remembered for
ever", Ziddi.