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Shekhar Kapur In Search of Water
Hindi
cinema has been notorious for its indifference towards socially relevant
issues. A fantasy land, disconnected from reality. With Paani, Shekhar
Kapur, attempts to meaningfully intervene within the space of the
celluloid. The acclaimed cinema-maker, remembered for his stunningly
realistic 'Bandit Queen' and poignantly innocent 'Masoom', returns to
his craft through a futuristic discourse. 'Paani' is his film in the
making. Set in 2035, it portrays a dystopia when water is set to become
a unicorn horn - a non-existent and mythical commodity. How a society
struggles as water disappears is the subject of Paani. Kapur narrates a
scene, perhaps the most horrifying scene of the proposed movie, where
thirsty mob attacks a car to steal water from its radiator.
Q: Most of the Hindi films cinematize
water-in rain songs, drought, sea shores, boat journeys. But is water so
prominent an issue as to demand a full length feature film - 'Paani' ?
A: It is. A mega-challenge. Historically water has always been a
communal property even for the Kings. We had to work hard to get water
from a communal facility. It is only in this century that water became a
private property as it was directly piped into individual houses. It
suddenly changed our psychology. Now we could get water easily. Mega
cities were built as water pipes transported water to meet the needs of
these newly emerging cities. This easy availability of water led to its
wastage. People are responsible for depletion of water and need to learn
to behave. Government needs to act very responsibly. Hence this film.
Q: So you are constructing a
hypothetical situation, a dystopia in your movie.
A: It's not an absolute hypothesis.
Water in taps can't last forever. Water is already in short supply.
Global warming is already causing unpredictable monsoons. We can no
longer see water as a separate resource. We need to be careful about
usage of water. My grandparent's home in Nizamuddin (Delhi) had a garden
watered by a hand pump. Now gardens have sprinkler systems. It has made
watering easy and water gets wasted. It led to going down of the water
table and there is no water in the hand pumps now. Chennai already faces
water shortage. While this is happening, people in five star hotels take
shower for half an hour. Tourism in Goa is creating pressure on water in
that region. So go anywhere, and you will see water as an issue. I feel
one way we should fight this issue is through children, who should be
taught to become messengers of water. My daughter teaches me on usage of
water.
Q: Is water tariff a way to regulate
usage?
A: I don't think that is the solution.
More importantly, water tariff may be unfair, leading to injustice.
Those who can afford will buy and get water. It will hit those people
who can't pay. While tariff is not the answer, hotels should be metered
for their usage of water and this should get charged back to a guest.
Instead of tariff, availability and supply of water has to be more
equitable.
Q: How did the idea of 'Paani' come to
you?
A: I believe it was Bansi Lal - the
politician - who pointed to the disparity between the urban wastage of
water and the rural scarcity of water. One day I was waiting at a
friend's home at Malabar Hill. He was taking shower for more than half
an hour. So I left and on my way, at the Dharavi slums, I saw long
queues for water. That prompted to reflect upon it.
Q: One understands water shortage, but
does this prophecy of war over water shortage amount to overstretching
the argument?
A: Imagine if a city like Mumbai runs
out of water. The problem may start with privatization of water. The
Coca Cola groundwater dispute in Kerala is an example of conflict over
water. If I had said in 1965 that people would bottle water and sell it
at a good price, you would have considered me mad. But that's what you
have today. A war over water may sound preposterous today but you see
there are conflicts over water world over. Turkey is important because
rivers run through it. The conflict over Golan Heights carries a crucial
water element. Indo-Pak conflict had water disputes as India threatened
to block the Sutlej. Malaysia and Singapore have had strained relations
over water. There was an interesting example in Singapore with waste
water being recycled and Prime Minister drinking the purified water on a
broadcasted TV program. With water tables going down, in time to come,
the scale of disputes over water will surely go up.
Q: Are there any alternatives?
A: Ground water is not available. Sea
water usage is energy inefficient. It can be expensive. Reverse Osmosis
can be considered. Perhaps nanotechnology is the way out. If we have
nano particles that are chemically stable, then salt crystals can be
blocked. It is a frightening problem when a city can go through water
shortage. All this talk of 8-9% growth rate is meaningless if we run out
of water. Factories could get closed. There could be mass migration.
There could be wars. And hence 'Paani' leads a discourse in water. 'Paani'
is the story of such a city in 2035. Water wars have already begun. 15%
of the population own water resources and the remaining 85% fight for
it. Water has been privatized. There are international protocols that
dictate that those who own water must give some amount to the rest. But
there is black marketing of water with social repercussions. There could
be a situation when politicians proclaim 'Vote Dooge to Paani Milega'.
Water can be used to control and exploit people. People may not come to
work. It could be a situation where people will go to companies based on
the availability of water. 'Paani to milta hai peene ko!!!' Rich will
get water due to their political connections. Slums won't have water.
There could be social unrest. 'Paani' has a scene where people attack a
car to steal water from radiator. 'Paan'i has a city with highways above
highways. And there is this lady living below a highway whose water
availability is decreasing day by day. I am exploring the contours of
the script.
Q: Why is 'Paani' set in future? A: I
was hassled by the censor board over 'Bandit Queen'. I did not want to
make anything anti-establishment. Hence this movie is set in future.
Q: Your focus is on urban cities. Are
you not ignoring rural water shortage?
A: There have been movies depicting
water shortage in rural areas - 'Guide' and 'Lagaan'. But what happens
when there is a water shortage in congested urban area which is a
financial and administrative centre - that is my thematic concern.
Q: But collapse of cities - isn't it
carrying the idea bit too far?
A: Well, there could be a situation
where a city like New York would get water supply only in bits and
pieces. Tuglakabad is a case in history. It was destroyed due to the
water shortage. People would abandon cities due to water shortage.
Q: Probably a public figure must stand
for water.
A: Agree. Somebody must raise the
issue of water. I am happy to lead it. You have water in Mumbai. But
what about Chennai? Delhi? We need to do something much more drastic. A
city like Mumbai must reduce water usage. A penny saved is a penny
earned. Water availability is not enough. There could be a disaster.
Q: Why does such a situation of water
shortage arise? A: It's purely due to inequitable and unmindful usage of
water. We have a situation where rich have water in swimming pools but
farmers don't get water to irrigate their lands. Morocco used to have
water cisterns over each house. Now they have golf courses in Marrakesh
to attract French tourists. But these tourists would abandon you once
you run out of water.
Q: Certainly yours is an attempt of
socially responsible cinema.
A: We have had socially responsible
cinema with a message. Guru Dutt and 'Mother India' and so on. 'Tare
Zameen Par' is an interesting example. Many people feel that only
commercial cinema can succeed. You see, the audience is clever. Making
an entertainment movie is easy. While 'Om Shaanti Om' may be a bigger
hit, people will remember 'Tare Zameen Par' longer.
Q: How should socially responsible
cinema be created?
A: There is a need to address
community issues. I am making a movie and lending my voice. It is a
participative process. You may also involve people through internet.
Q: Can citizen involvement bring some
change?
A: Yes. You see the beach in Juhu was
so bad. Now I see these college students cleaning it. It is possible. It
is happening. |